Photo Credit: QuoteFancy.com
I’m roughly six weeks out from the impending delivery of my second baby. Technically speaking, I’m eight weeks out, but my midwife is fairly confident this one will come early since the last one did. I’m also hopeful she’ll come early…it will give me substantially more time to recover before moving across the country and the world. So there will be much red raspberry leaf consumed by moi in the coming weeks.
At any rate, I’ve been working on my labor and delivery playlist for several months. This is something that, even with my first, I just knew I wanted – music that calmed me or energized me or made me think of how much I already knew I loved this tiny human. With Godzilla, I pulled together my playlist kind of last minute, but it was also rather easy. She was born during the Christmas season and since I love love love Christmas music, I just grabbed 200+ songs from my very extensive collection, added in some Britney and Taylor and called it good. It was perfect.
And I never used it. Not even once during my nine hours of labor did I want to hear music. I thought about it once, in the middle of a particularly awful contraction (aren’t they all kind of awful?) and just the thought of music made me angry. So that was a hard pass on music.
With Mothra’s playlist, I’ve found myself carefully curating songs over the last seven months. There are currently only 36 songs on the playlist, running about two and a half hours. It’s a pretty schizophrenic list, but then, so is my general taste in music. It contains pop, hymns, bluegrass, the 80s, rock, miscellaneous covers…it’s one of my favorite playlists I’ve ever created.
But there are two songs in particular that hit me hard every time I listen to them…for vastly different reasons.
“Love Me Like You Do” by Ellie Goulding.
For a lot of people, this song is associated with one of the most poorly written and ill-conceived books ever released. I’ve never read the book (just selected passages. It’s terrible) or seen the movie. I just love this song. The first time this hit me as a birthing song was over the summer, while I was walking with Godzilla in her stroller. Almost every line of the song can very easily be translated into labor and delivery:
“You’re the light, you’re the night, you’re the color of my blood…” – Yep. She’s going to come at whatever time of day or night she chooses and no matter how she makes her way in the the world, she and I will be the same color, covered in the same blood, even if for just a few minutes.
“You’re the cure, you’re the pain, you’re the only thing I want to touch..” – Delivering a baby, especially in the, um, very traditional sense, is everything at once. It hurts like hell, but the moment she arrives, all the pain is gone. It’s like I’ve been waiting my whole life to touch this tiny creature.
“Fading in, fading out, on the edge of paradise. Every inch of your skin is the holy grail I’ve got to find.” – Every contraction can feel like you’re about to pass out. It’s 30-120 seconds of agony followed by maybe two minutes of sweet relief….until it all happens again. Over and over for hours on end. But every moment brings me closer to the absolute ecstasy of holding my baby for the first time, pressing her sweet, sticky skin against my chest and hearing her cry for the first time.
“Yeah, I’ll let you set the pace cuz I’m not thinking straight. My head’s spinning around. I can’t think clear no more. What are you waiting for?” – This is the first line that made me think of labor and delivery. It reduced me to tears on that walk. There is no way to tell a baby when it should or shouldn’t come into the world. It’s all up to her. She decides everything. And she will decide everything from the moment I go into labor until years later. I have to let her set the pace. I have to let go of the control I want to have and just wait…sometimes calmly (as in the first several months of pregnancy), sometimes impatiently and agrily (like during active, awful, bone-crushing labor).
“human” by Christina Perri
This one hit me harder and in a much more painful way. It made me immediately think of breastfeeding, which, frankly, was not a great experience with my first baby. I’m cautiously hopeful that it will go better this time around, but I have pretty intense memories of the first time. So when I hear lines like:
“I can hold my breath. I can bite my tongue.” – I remember how painful it was. The searing pain that shot through every fiber of my body as she latched for the first time…and for 13 months worth of times after that.
“I can stay awake for days if that’s what you want. Be your number one…Give you all I am” – I am not looking forward to another year or more of restless, sleepless nights. But I am what keeps her alive. My body nourishes her so I wake up with her and I suffer through it. Because it’s not all suffering. She will smile, she will laugh, and – mercifully – she will sleep.
“But I’m only human. And I bleed when I fall down. I’m only human. And I crash and I break down. [The] words in my head, knives in my heart, [they] build me up and then I fall apart, cuz I’m only human.” – I was diagnosed with post-partum depression when Godzilla was around five or six months old. It was a simultaneously freeing and brutal thing to grapple with. Finally, I had answer to some of what I was feeling. Finally, I had a way to cope with all of it. Finally…I felt a little bit of fear and failure. Nothing was going right. I couldn’t feed my child enough. I couldn’t love my husband the way he deserved. I didn’t want to be a mother. Everything I had ever thought I wanted, I finally had and I couldn’t deal with it. The words in my head crushed me.
“I can do it. I can do it. I’ll get through it.” – And I did. I did it. I fed Godzilla on a near constant basis. I accepted the magic of formula. My friends and my husband encouraged me and brought me coffee and reminded me that I wasn’t just doing enough for my daughter. I was literally doing everything for her. I may not be the perfect mother (far from it), but I am the perfect mother for her. I was reminded to take time for myself and that asking for help isn’t admitting defeat or weakness, but rather significant strength. To know when I’m about to break and to ask for help is one of the strongest things I can do as a mother. We’re fed line after line that we can have it all, do it all, and be it all, but when we aren’t, it feels like we’ve failed in every possible way. Whatever happened to “it takes a village”? My tribe has taught me, over the last two years, that asking for help means I’m willing to be vulnerable and that I trust those closest to me. It also means that when one of my tribe starts to falter, I will be there to prop her up with coffee, wine, wisdom, time, a listening ear, whatever she needs. I have learned that “mother’s intuition” extends so far beyond my own child…it weaves its way into the lives of my mama-friends. We start to know exactly when and how to best help each other (like when one of my newest tribe members brought me a chai latte and a surprise cherry danish the other day). We just sense each other. We respect each other. Sometimes, it feels like we are each other.
So these are the songs that have made the biggest impact on me during my second (and probably final) pregnancy. There is so much left to accomplish in the few remaining weeks before Mothra arrives. At least, it seems that way. But what I know with absolute certainty is that I am ready. I am excited. I am prepared – emotionally and mentally – in ways I just couldn’t have been the first time.
I am patiently and uncomfortably awaiting her arrival.
I am ignoring the thoughts of doubt that seep into my subconcious.
I am ready.